The NGV will present Big Weather, an exclusive exhibition exploring Australia's unique weather systems in a presentation that recognises Indigenous cultural knowledge as central to understanding our natural environment.
Opening in October 2020 at The Ian Potter Centre: NGV Australia, the exhibition highlights the role of Indigenous artists and designers in sharing stories and ceremonies connected to weather, ensuring they live on in future generations.
Tony Ellwood AM, Director, National Gallery of Victoria said, "Big Weather encourages visitors to consider the importance of Indigenous knowledge of weather systems to understand the dynamic nature of the Australian landscape."
"This exhibition presents new commissions and NGV Collection works by both historical and contemporary artists, including Albert Namatjira, Emily Kam Kngwarray, Julie Gough, Laurie Nona, Michael Riley, and Nonggirrnga Marawili" said Ellwood.
Big Weather will feature over 75 artists across media, encompassing painting, photography, film, weaving and sculpture. Works by artists from diverse Indigenous communities present unique interpretations of Ancestral spirit beings who summon the rain, hail, and seasonal storms, that feed into our rivers, revive the landscape and nourish wildlife.
An exhibition highlight will be a pair of newly commissioned possum skin cloaks created by Yorta Yorta artist Treahna Hamm displaying designs reflecting cultural fire stories and contemporary climate change research. A new acquisition of woven shield designs by emerging Yorta Yorta/Taungurung artist and weaver Donna Blackall references different aspects of the natural environment across the five language groups of the Kulin Nation, the Country where the National Gallery of Victoria stands.
At the start of the exhibition, visitors will be greeted by a sculpture of the powerful ancestral spirit Bolngu, the Thunderman, 2010 by Johnny Yirryirrngu of Elcho Island, North East Arnhem Land, placed alongside John Mawurndjul's 1992 painting Namarrkon ngal-daluk, the female lightning spirit, portraying a formidable spirit who strikes lightning down to earth announcing the arrival of the wet season to Kuninjku people of Western Arnhem Land.
Climate change is addressed in works exploring extreme weather including flooding, bushfires, cyclones, and storms and how these events are changing our landscape. Knowledge of these weather systems and ancestral stories about Country is shared through oral traditions and customary ceremonies passed down across generations.
The significance of transferring cultural knowledge over generations is illustrated by paintings by Western Arrernte watercolourists including legendary artist Albert Namatjira presented alongside contemporary artists who continue the watercolour tradition including Noreen Hudson and Seth Namatjira, grandson of Albert Namatjira. This display illustrates changes across the Central Australian landscape reflecting the artists' understanding of and connection to the land now and over time.
The integral role of animals in the overall balance and wellbeing of the environment is portrayed in representational works in diverse media, including woven fish traps from across Australia which reflect how animals are universally respected not only as practical sources of food but for their spiritual existence and as indicators of changing weather patterns.
Michael Riley's Untitled from the iconic photographic series cloud, 2000 depicting a levitating cow, speaks directly to Australia's history of settlement and the sadness and confusion that introduced animal species caused Indigenous communities, interrupting their ancient relationship with their Country.
Big Weather will be on display from 23 October 2020 – 2021 at The Ian Potter Centre: NGV Australia, Federation Square, Flinders St & Russell St, Melbourne, Australia. Information is available from the NGV website NGV.MELBOURNE.
Michael Riley's untitled (cow) 2000 is supported by Linda Herd and donors to the 2020 Annual Appeal.